Dialog updated to reflect current knowledge and a new Postshow set added.

A good audience to start with but declining as time went on.  We will move the start time back by an hour and see if this is more encouraging to audience members on both sides of the Atlantic.

Preshow

The Show

Postshow

A show composed entirely of songs written by Bob Dylan, and performed by both himself and a selection of other artists.  A large audience attended, which was very satisfying.

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The Show

Postshow

The remastered version of our very first show included pre- and postshow sets not present on the original broadcast.  Here’s the full playlist.

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The Show

Postshow

A fine show, put together by Hugh and featuring a singer with a long and varied career in jazz, R&B, blues, pop and all stops in between.  An illustrious set of collaborations too.

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The Show

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Something different this time – we aren’t always predictable – and a set of solo tracks from Peter Hammill, who may be more familiar as the founder and front man of prog rockers Van der Graaf Generator.  Just as the generator itself is a somewhat out-of-the-ordinary device last seen in a school textbook, some of the wit was schoolboyish too, but the set was very well appreciated by all concerned, and a peak audience of 23 listeners too.

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The Show

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We try to do a show for IWD every year, and this year it was made easier by it being on a Sunday and between our usual shows.

A new organiser for the days events came forward this year, Nosila, and she followed us with a music stream.  In between we hosted Ghaelen’s recorded talk on two Influential Women in History.

Appropriately, Root Beer was the voice of Radio Free D’ni for this show, the contents of which were sung, played and/or written and composed by women, and had some significance connected with the day.  Audience figures reached 21 at one point, a good number.

The Show

A change of pace from us, with another Un-covered set, with songs that share the same title but are otherwise unrelated. We do try to make sure that the songs are interesting and not just fit the formula, and so far it has worked.
Tracks came from both Mal’s and my own stashes, and the notes were a collaboration. The resulting show worked well, and we had 19 listeners for most of the time. There may be another Un-covered show, but not for a while

Pre-show

The Show

Postshow

A new idea this time, a show concentrating on just live tracks, with the stipulation that they must be outstanding, better than the studio versions.  It turns out that quite a lot of tracks qualified, with the assistance of Hugh and Mal, and we can do this again, probably more than once, without repeating tracks or albums.

Hugh and Root Beer were both away, so it was back to the old days of the three original members.

The title was a challenge from me to you to identify what short-lived TV SF show it came from.  Korovev and Hayley Mosteller got it right – it was Max Headroom, that dystopian “20 minutes into the future” show featuring Matt Frewer playing two roles, one in heavy prosthetic makeup, as CGI weren’t that good yet.  It was a good series, very critical of TV advertising, the quest for “ratings” and an elite living in a moral vacuum.  It’s no wonder then that it got canned after 14 episodes.  By an unfortunate coincidence, that’s the same number of episodes that Firefly ran for.

Enough of that.  Again, we had more than 20 listeners, which is encouraging for us – do keep coming back.

Preshow – like the postshow, tracks that didn’t make the cut for the main show but still met the criteria.

The Show

Postshow

Something a little different (a bit of a trademark of ours) as we took a look at the songs of Tom Waits. Hugh put this one together, and I was as interested as anyone else, having not followed the man at all, and being only sort of aware of him, largely because of his very recognisable voice.
It was a great show, and I came away more impressed than I’d expected. Many thanks to those who joined us on the plaza, and those who just listened in.

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Part 2 of our Dave Pegg coverage contained a goodly number of side trips into collaborative work as well as some great stuff from his later Jethro Tull and Fairport Convention appearances.  I filled in some of the gaps left in part 1 by getting hold of two or three missing albums – Nick Drake’s Bryter Layter among them.  I was very pleased with the final playlist, and we had a good audience too – many thanks for listening, and I hope you enjoyed it as much as I did.

Tom, “A Little Light Music” is thoroughly recommended 🙂

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The Show

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